cwisnia

COMICS CURRICULUM VITAE

EDUCATION
1990-1995 University of California Davis, Bachelor’s Degree in Studio Art
1990 South Tahoe High School, graduate

AWARDS
2012 Best of Geeky Sacramento: Best Local Comic Book Writer or Graphic Artist

PUBLISHED COMICS WORK

Graphic Novels
2014 “S Is For Spanko: A Frightening And Realistic GIANT MONSTER Alphabet Book” (SLG Graphics, 32 pages, hardcover), writer, artist, editor
2011 “Monstrosis: A Doris Danger Giant Monster Adventure” (SLG Graphics, 176 pages, hardcover), writer, artist, editor
2009 “Doris Danger Giant Monster Adventures” (SLG Graphics, 96 pages, plus “creator’s commentary” CD), writer/artist/editor
2007 “Doris Danger Seeks …Where Urban Creatures Creep and Stomp” (self-published, 64 pages), writer/artist/editor
2007 “Doris Danger Seeks … Where Giant Monsters Creep and Stomp” (self-published, 56 pages), writer/artist/editor
2006 “The Lump” (self-published, 160 pages), writer/artist/editor/publisher
2005 Sam Kieth’s “Ojo” trade paperback, (Oni Press, 124 pages), co-artist

Comics
upcoming? abandoned? 2012 “Journey Into Astonish” (Bob Burden’s Marble Comics) artist
upcoming? abandoned?  2012 “Impossibility Bucket” (with Jhonen Vasquez) artist
2012-2013 “Zombie Annihilation” 1 and 2 (Silver Phoenix Entertainment) artist
2006 “Doris Danger in Outer Space” (self-published, 24 pages) writer/artist/editor
2006 “Doris Danger Greatest All-Out Army Battles” (self-published, 24 pages) writer/artist/editor
2005 “Dr. DeBunko: The Short Stories” (self-published, 32 pages) writer/artist/editor
2004-2005 Sam Kieth’s “Ojo” #2-5 (Oni Press, 22 pages each), co-artist
2004-2005 “Tabloia Weekly Magazine” #572-576 (self-published, 32 pages each, fifth issue 48 pages), writer/artist/editor

Digital Comics
2011 “Monstrosis” #1-6 (SLG Publishing, roughly 28 pages each), writer/artist/editor
2010 “Doris Danger Giant Monster Adventures” (SLG Publishing, 96 pages), writer/artist/editor

Online/Web Comics
2008 “Spider Twins Companion” (encyclopedic web-comic and weekly contest, 54 pages), writer/artist/editor
2006-2008 “Dick Hammer: The Dailies” (web-comic, 108 pages) writer/artist/editor
2006-2007 “Diary of a Struggling Comics Artist” (blog on the process of creating comics), writer

Mini-Comics
2011 “Monstrosis: A Doris Danger Giant Monster Adventure” #1-6 (roughly 28 pages each), writer/artist/editor
2008 “Shocking True Stories of the Bible, Featuring John The Baptist” (40 pages), writer/artist/editor
2008 “Shocking True Stories of the Bible: The Images” (48 pages) writer/artist/editor
2008 “Spider Twins Companion” #1-3 (32 pages each, plus 90 minute “creator’s commentary” CD), writer/artist/editor
2008 “Dick Hammer: The Dailies” #1-3 (collecting the web-comic, 32 pages each), writer/artist/editor
2006 “Dr. DeBunko: When Human Flesh Bursts into Flames, writer/artist/editor
2006  “Dr. DeBunko: The Devil is My Lover”, writer/artist/editor
2006  “Dr. DeBunko: Who Killed My Cow”, writer/artist/editor

Anthologies, other publications
2012 “Neil Hamburger Comics Digest” (BS Comics), contributed two three-page stories
2012 “One and Done” (Invest Comics) – contributed a one-page story
2011 “Alien Echo” (Lost in the Dark Press), pin-up contribution
2011 “Giants” (Dan Burke Publishing), 10-page Doris Danger story contribution
2011 “Slam Bang #6 Vol. III the ROBOT issue (200 pages, FanAtic Press), 10-page Doris Danger story contribution
2011 “Hot Zombie Chicks” #4 (Halo Productions), pin-up contribution
2010 “Sidekick #1 (insert for Comic Heroes Magazine), 4 page Doris Danger sneak preview
2010 Captain Rochester (Rochester Electronics publications, trading card set #1), trading card contribution
2010 “Brains” #2 (From The Land Beyond Publications), pin-up contribution
2009 “Junior Skeptic Magazine” (Skeptic Society, Skeptic Magazine), cover contribution
2008 “Of Great and Mortal Men: 43 Songs for 43 U.S. Presidencies” (Standard Recordings, CD) album art contribution
2007 “She’s a Super Freak” #2 (Movement Comics), pin-up contribution
2007 research project for University of Connecticut on effects of pro-social messages in American entertainment media, artist for nine-page comic
2005 “Dead By Dawn Quarterly” #1 (Scar Comics), writer/artist/editor of four-page story
2005 “Oolar! Stories from the Wild World of Caveman Robot” (Tetragrammatron Press), pin-up contribution

Convention Appearances and Signings
2015 Store Signing, Empire Comics Vault, Free Comic Book Day, Sacramento, CA
2012, 2014, 2015 Big Wow Comic Fest, San Jose CA 

2015 Grape City Con, Lodi, CA
2015 store signing, Comics and Collectibles 29th Anniversary, Sacramento, CA
2014 store signing, Creator-Con, A-1 Comics, Sacramento, CA
2013-14 Crocker Con, Crocker Art Mueum, Sacramento, CA
2005-2010, 2012-14 APE Con, San Francisco, CA

2013-2014 Stockton-Con, Stockton CA
2004-2014 Comic-Con International, San Diego, CA
2013 Kraken Con, South San Francisco, CA
2004, 2011, 2012 (two appearances) Sacramento Comic Book, Toy & Anime Show, Sacramento, CA

2012 Store Signing, Bizarro World 20th Anniversary, Davis CA
2012 Store Signing, SLG Art Boutiki, San Jose CA
2012 Store Signing, Alternate Reality Comics, Las Vegas NV
2012 Second Saturday Art Walk, The Urban Hive, Sacramento CA
2012 Store Signing, Comics & Collectibles, Sacramento CA
2012 The Great California Paint Out and Auction, Natsoulas Gallery, Davis CA
2012 Image Expo, Oakland, CA
2005-2011 WonderCon, San Francisco
2009-2011 SLG Presents Comics Fest II, San Jose, CA
2007, 2010 Emerald City Comicon, Seattle WA
2010 Store Signing, Red Sky Comics, Merced CA
2004, 2010 Store Signing, Bizarro World, Davis CA
2010 Indie Euphoria, Sacramento, CA
2008 San Jose Super Comic, Toy & Record Show, San Jose, CA
2008 From The Land Beyond: Sacramento’s Horror and Sci-Fi Show, Sacramento, CA
2004, 2006, 2008 Store Signing, Empire Comics, Sacramento, CA
2007 Dragon Con, Atlanta, GA
2007 Wizard World, Chicago, IL
2007 Store Signing, Toy Fusion, Rancho Cordova, CA
2006-2007 Super-Con, San Jose, CA
2007 Wizard World Los Angeles, CA
2007 New York Comic Con, New York, NY
2006 Stumptown Comics Fest, Portland, OR
2004, 2006 Store Signing, Small Press Day, A-1 Comics Sacramento, CA
2006 MegaCon, Orlando, FL
2005 Baltimore Comic-Con, Baltimore, MD
2005 Bristol Comic Expo, Bristol, England
2004-2005 Store Signing, Free Comic Book Day, A-1 Comics Roseville CA
2004 Big Apple Con, New York, NY
2004 Store Signing, Big Planet Comics, Washington, DC
2004 Store Signing, Neighbors Bookstore, South Lake Tahoe, CA

Comics Panels
2008 From The Land Beyond Horror and Sci-Fi Convention (Sacramento, CA) “A Visual Assault to the Senses: A Comic Book Panel!” with Dan Brereton, Joshua Dysart, Tone Rodriguez

2007 Dragon*Con (Atlanta, GA) webcomic panel with Pete Abrams, Chris Hazelton, Kitty Hawk, Jennie Breeden, and Gina Biggs

2007 Dragon*Con (Atlanta, GA) independent comics (“Outside the Big Two”) panel with James Ritchey III, Peter Bagge, Marie Croall, Jennie Breedon, Andy Runton, and Ted Naifeh
2006 University of California Davis Experimental College “History of Comics” class by Dan Urazandi, guest speaker
2006 Utrecht Art Store (Sacramento CA) “Making Comic Books” Art Class by Dan Cooney, guest speaker
2005 Comic-Con (San Diego, CA) panel on “The Sequential Art” documentary with director Espen Jorgensen, Denis Kitchen, and Roberta Gregory

Interviews of Wisnia
2015 (May) Reality Comics FCBD Mini-Con on-site video interview
2015 (May) Empire Comics Vault FCBD pre-Mini-Con video interview
2014 (May) “Nerdvana” podcast on Free Comic Book Day at SLG’s Art Boutiki
2012 (Oct) “Forces of Geek” interview by Stefan Blitz
2012 (Sep) podcast interview by Decapitated Dan
2011 Mr. Lobo interviews Chris Wisnia” video by Christopher Perguidi and James Myrick
2011 podcast interview Decapitated Dan
2010 “The Electric Playground” televised comic feature of Doris Danger
2010 “Blog Talk Radio” podcast interview” by Dan Vado, Supreme Commander of SLG Publishing
2010 “Talking Comics with Tim” by Tim O’Shea at Comic Book Resources
2009 “Davis Life Magazine” thirteen-page article by Jessica Hughes
2009 “From The Tomb Magazine” interview by Decapitated Dan Royer
2009 “Comicon The Pulse” by Jennifer Contino
2009 “Comixology” Podcast interview by Peter Jaffe
2009 “Baker’s Dozen” by Bill Baker
2009 by Mark Allen at “4 Color Commentary”
2009 by Richard Vasseur at “Jazma Online”
2009 by the Big Bad Wolf at “Comic Monsters”
2009 “A Review a Day” by Greg Burgas at “CBR Live”
2009 “Geek Tragedy” podcast live at APE Con
2008 “Planet Comic Book Radio” podcast interview by Javier Hernadez
2007 “The Amateur Scientist” podcast
2007 “The Comic Book Haters” podcast interview
2007 “Secret Identity” podcast number 50.5 live from New York Comic-Con
2007 Atlanta television interview for Dragon*Con
2007 “Treasury Comics” by Rob Kelly
2006 “I Read Comics” blog by Lene Taylor
2006 “Comicon The Pulse” interview by Jennifer Contino
2006 “Jazma Online” interview
2006 “Skepticality”, official podcast of Skeptic Magzine
2005 “Jazma Online” interview
filmed 2004, documentary upcoming? “The Sequential Art” (documentary by Espen Jorgensen) interview, alongside Will Eisner, Sam Kieth, Gary Groth, Neil Gaiman, Daniel Clowes, Scott McCloud, Chris Ware, and others

Reviews of Wisnia’s Work
2013 (Dec) Paul Castiglia’s “FirstComicsNews.com”
2013 (Oct) Glenn Walker’s “Welcome to Hell”
2013 (Oct) Glenn Walker’s “Biffbampop.com: 31 Days of Horror: The Atlas Monsters”
2013 (Jan) seconprinting.com’s “365 Comics”
2012 (Oct) John Holbo’s “Crooked Timber” online
2012 (Oct) Michael May’s Robot 6 “Question of the Day” at “Comic Book Resources” online
2012 (Oct) Henry Chamberlain at “Comics Grinder” online
2012 (Sep) Ricky Sprague at “Unleash the Fanboy” online
2012 (Sep) Louis Falcetti at “Bleeding Cool” online
2012 (Sep) “Major Spoilers” podcast review
2012 (Sep) Richard Vasseur at “Jazma Online”
2012 (Aug) Derek McCaw at “Fanboy Planet” interviews SLG President Dan Vado on Monstrosis 
2012 (Aug) by Louis Falcetti for “Bleeding Cool” online (reviewing Neil Hamburger comic)
2012 (June) by “Robot 6” for “Comic Book Resources” online
2012 (Apr) article about SLG Publishing by Orion Petitclerc at “SJSU Access Magazine” online, in which Chris is quoted
2012 (Jan by Luke Milton at “Fruitless Pursuits” online
2011 (Dec) by Decapitated Dan at “Comic Attack” online
2011 (Sep) by Kumar at “Kumar’s Reviews” online
2011 (Sep) “Dave’s Unspoilt Capsules and Awards” online
2011 (Jul) a “Major Spoilers Podcast #325” review online
2010 (Nov) by Libby Miller for “The Davis Dirt” Magazine
2010 (Aug 12) by  Stephanie Rodriguez for Sacramento News and Review Magazine
2010 by Chickity China at his website
2009 by Evan Dorkin, at his official blog, “Big Mouth Types Again!”
2009 by Manly Pointer, customer review at Amazon.com
2009 by Dan Royer, article in “From The Tomb Magazine” #29
2009 “Robot 6” by Michael May at “Comic Book Resources”
2009 by Rachel Edinin at “Sequential Tart”
2009 by Adam McGovern at “Comic Critique”
2009 by Decapitated Dan Royer at “From the Tomb Magazine” online
2008 “A Comic A Day” by Karaoke Fanboy
2008 article by Jeremy Nisen in “Comics Now Magazine” #3
2007 by Rachel Edinin at “Inside Out”
2007 by Marc Mason at “Comics Waiting Room”
2007 by Steven Grant at “CBR Permanent Damage”
2007 by The Big Bad Wolf at “Comic Book Monsters”
2007 by Johnny Bacardi at “The Johnny Bacardi Show”
2007 by The Comic Book Haters”
2007 by Marc Mason at “Comics Waiting Room”
2007 by DJ Grothe at “Point of Inquiry”
2007 by Rob Kelly at “Treasury Comics”
2007 by Mark Arnold at “Comic Base”
2007 “A Comic A Day” by Karaoke Fanboy
2006 an article in “Jack Kirby Collector” #47
2006 by Troy Brownfield at “Newsarama”
2006 by Matty-Matt at “SFist”
2006 by Leigh Anne Wilson at “The Journal of the Lincoln Heights Literary Society”
2006 by Johnny Bacardi at “The Johnny Bacardi Show”
2006 by Robin Lewis at “Comixfan”
2006 by Paul Dale Roberts at “Jazma Online”
2006 by Glenn Walker at “Comic Widows”
2006 by Johnny Bacardi at “The Johnny Bacardi Show”
2006 by Steven Grant at “CBR Permanent Damage”
2006 by Robin Lewis at “Comixfan”
2006 by Glenn Walker at Comic Widows
2006 by Steven Grant at “CBR Permanent Damage”
2006 Don MacPherson at “Eye on Comics”
2006 by Matty-Matt at “SFist”
2006 by Leigh Anne Wilson at “The Journal of the Lincoln Heights Literary Society”
2006 by Steven Grant at “CBR Permanent Damage”
2006 by Robin Lewis at “Comixfan”
2006 by Randy Lander at “Fourthrail.com”
2005 by Chris Garcia at “Fanboy Planet”
2005 an article in “Jack Kirby Collector” #41
2004 by Glenn Walker at Comic Widows
2004 by Steven Grant at “CBR Permanent Damage”

COMICS CURRICULUM VITAE Read More »

CHRIS WISNIA’S RESUME – 2002

That’s right … Chris Wisnia’s Resume!
This week, we offer a real treat to fans! We hope it will help all you aspiring comics professionals, not only to see what a resume should look like if you have no actual experience or qualifications, but also as inspiration to fill out your own resumes!

Before our own artistic hack, Chris Wisnia, began his “serious” (i.e. “actually published”) professional comics career, he spent many years waiting in many portfolio review lines, and sending a lot of packages to publishers, and never getting any work! Below is – NO JOKE! – an exact duplicate of the resume he submitted over and over for these endeavors!

Personally, in hindsight, we don’t recommend you aspiring comics people try using this technique for youselves, as Chris never once heard back from an editor he sent this resume to! They never called or wrote to share how amusing they found this resume! Study it closely, and tomorrow we’ll post Chris’s current resume . . . for comparitive purposes! -Rob!

_RESUME_ (minimized to one page)

COMICS RELATED EDUCATION:
N/A (Bachelor of Arts in studio art, U.C. Davis, Class of 1995)

PROFESSIONAL, NON-COMICS WORK:
1999-Present Guitar Instructor, Private Lessons, Davis CA
1997-2000 Store Manager and Head Picture Framer, Jeff’s Objet D’Art, Davis CA

MONTHLY WORK FOR MARVEL
2002 none
2001 none
1999 none

LIMITED SERIES OR ONE SHOT PROJECTS FOR MARVEL
1997 none
Feb-July 1995 none
1972 born May 13th

MONTHLY WORK FOR DC
1962-1992 no work for DC

FILL-IN ISSUES, ANTHOLOGY AND BACK-UP STORIES FOR DC
Upcoming 2003 no plans at this time
1492 none

WORK FOR INDEPENDENT COMIC COMPANIES, INCLUDING BUT NOT LIMITED TO FREE-LANCE PLOTTING, SCRIPTING, AND GHOST WRITING
1997-present nothing

ADDITIONAL TRAINING, WORKSHOPS, SEMINARS, ETC
2001 Told Mike Allred his art is cool at San Diego Con
1984 Read “How to Draw Comics the Marvel Way”

RELATED EXPERIENCE
1998 Re-read “How to Draw Comics the Marvel Way”

CHRIS WISNIA’S RESUME – 2002 Read More »

149. Understanding Just How Pathetic

COMING TO UNDERSTAND, AND COPING WITH, JUST HOW PATHETIC I AM

diary entry, December 21, 2006

Now that Larry Young had posted a link to my site, referencing my sad self-publishing attempts to a whole new audience, I just wanted to get in touch with him. I wanted some form of validation. I desired to know what public perception of me was. I wasn’t upset with Larry. I was flattered that he would give me this extra press. I just felt I needed to hash out what exactly this debate was about, and what my role was in it, and indirectly, what my role was in this industry.

He wrote back and told me any press is good, and he was happy to send some hits my way. He wrote that he felt I was a good example of someone who’s doing everything right, in his opinion, and still basically having nothing to show for it. Getting no respect or attention, so to speak. He said the only thing he thinks I could try doing more of is getting in touch with the stores and letting them really know who I am and what I’m doing. And of course he’s right.

I asked if he thought I was humiliating myself for admitting my pathetic sales numbers, and he said he didn’t. However, he said I might not want to talk about all the companies I’ve tried to get work from, because I’ve tried to get work from ALL the companies, and that may read that I’m not good enough to get work from ANY companies.

I sat on that thought for a while. I re-read my blog entry. I noticed how I’d discussed my process of trying to introduce myself to one company after another, and get them interested in my work. I could definitely see his point.

But I decided something in the end here. This is my blog, and the whole point of this blog was to try and portray just how it’s been for me, trying to get into this industry. And all my failures of applying to EVERY COMPANY and not getting work from ANYONE, for years and years, has been a SERIOUS part of my journey. It’s been an enormous, and enormously important part of my journey.

When I decided to begin writing a comics diary, and as I began recording all these entries of my past, I looked at the blogs of a few famous comics artists (not a lot, but a few), and I looked at a few blogs of some of my friends and acquaintances in the industry, who are basically in the same spot I’m in. And what struck me was that no one (in my limited searches) had anything to say about STRUGGLING TO MAKE COMICS AND TRYING TO GET THEM OUT IN THE INDUSTRY. It seemed like people were writing basically spam mailers about what coffee shop they’re doing a signing at, or when their books will be out and how to order them, or that they did a commission of Captain America today and here it is. Or they’d discuss their thoughts on some current events, or a link to a funny image they found online, or maybe some goddamn dream they had (For some reason I’ve always had a dislike of hearing about dreams people had).

So all these things are fine. These are perfectly valid reasons to have a blog. But that’s not what I wanted to do with my blog. I wanted to tell it like it is. Like the industry is. I wanted to point out how much work it is, and how precious your work is to you and how much you put into it, and how no one even notices the love and hard work you’re pumping into it all. No matter the hard work and love and time and effort, you’re still a nobody, after years and years. And you work your balls down to little nubs, and no one sees that, or cares to compensate you for it. That’s what I wanted to discuss. That’s a story you don’t see in Hollywood very often.

I know someone who only sold ONE GODDAMN TRADE PAPERBACK AT A TWO-DAY CONVENTION, and when he got back, he wrote in his blog what a good con it was. THAT’S NOT A FUCKING GOOD CON. AND THAT’S SURE IN HELL NOT A VERY GOOD DESCRIPTION OF WHAT THIS GODDAMN INDUSTRY IS LIKE.

Ahem. And all of that’s fine. Anyone can write about whatever they feel like in their blog. They can use their blogs for whatever purpose they choose, and hopefully other people are getting something valuable out of these blogs, either because these blogs are written by their idols, or their friends or family, or it’s someone they met at a con, or they found their book at a local shop. Or it’s entertaining for whatever reason to them. Whatever. That’s all fine.

But that’s a different purpose than I intend with my blog. Goddamn if I’m not going to write about WHAT IT’S LIKE TRYING TO SELF-PUBLISH COMICS, AND LOSING MONEY EVERY ISSUE, AND LOSING MONEY EVERY CONVENTION I GO TO, AND TRYING TO GET WORK IN THIS INDUSTRY AND SOMETIMES THINKING I MIGHT JUST GET WORK BUT THEN NOT GETTING IT, AND MEETING ALL THE PEOPLE YOU MEET AND ADORING AND RESPECTING THEM, AND MEETING ALL THE PEOPLE TRYING TO GET INTO THE INDUSTRY AND IT BREAKING YOUR HEART HOW THEY JUST NEVER WILL, AND WONDERING IF YOU SHOULD GIVE UP ON YOUR DREAM, AND ALL THE PEOPLE WHO ARE PROFESSIONALS AND THE SAD, UNAPPRECIATED LIVES THEY’VE LED TO TRY TO LIVE THEIR DREAMS, AND TRYING TO COME UP WITH STORIES, AND TRYING TO DRAW THEE STORIES WHILE HAVING A DAY JOB BUT HONESTLY JUST NOT HAVING THE TIME, AND WISHING YOU DIDN’T NEED A DAYJOB TO SUPPORT YOURSELF DOING SOMETHING YOU LOVE, AND TRYING LIKE HELL JUST TO MAKE A LIVING AND SURVIVE, and your free time isn’t for watching tv or hanging out with friends or playing video games or going out with your girlfriend or wife, IT’S ABOUT JUST DRAWING EVERY SECOND OF THE DAY YOU’RE NOT EATING, SHOWERING, OR AT WORK, BECAUSE IT MEANS THAT MUCH TO YOU. And now that I’m saying it all like this, Yeah, I’m feeling pretty pathetic. And maybe some companies will decide to judge me or the quality of my work based on all this pathetic sadness that is my life, instead of looking at my work.

Sometimes I say derogatory things about my work, inside my comics, or even on the covers. Certainly in this diary. And I wonder if sometimes people see the comments, and instead of looking at the work and deciding for themselves, they just believe anything they read, and assume the work isn’t any good. I’ve decided probably some people do that, but if they’re that kind of people, they wouldn’t enjoy my work anyways. So I’m assuming companies that would judge that way about my work wouldn’t be good publishers for me in the same way.

But I can live with that. So be it. That’s the path I’ve chosen, and I’m finally beginning to get a few people writing in now and then, and telling me they’re really getting something out of hearing all these pathetic details in my blog.

Besides, if I ever do make it in this goddamn industry, it’s gonna look pretty impressive how pathetic I am and that all these companies passed on hiring me, don’t you think? That’ll make a much better Hollywood story. Isn’t that alone worth all the pathetic-ness. That Billy-Corgan-style of locking my self pathetically in my bedroom, shouting at my mom to leave me alone I’m not hungry, and just sitting angrily pent-up with my guitar, practicing my scales for nine hours a day, tears streaming down my face as I hate the world and think with vengeance, “They’ll all be sorry one day, when I’m a FUCKING ROCK STAR!”

149. Understanding Just How Pathetic Read More »

“FIVE MONTHS, THREE WEEKS”: a research project

In February 2007 at the New York Comic-Con, I was approached by Joseph Gregov, a student researcher at the University of Connecticut. He studied mass media effects, and was putting together a project to investigate the effects of subtle pro-social messages in American entertainment media. He chose comics because the nature of the panels and balloons allowed him to better edit the story and see if different versions produced different results in different groups of readers.

As a card-carrying Skeptic with a strong conviction in the benefits and importance of “SCIENCE,” this sounded like a fun, good, and meaningful project for me to contribute to. I low-balled a fee I would charge, hoping to solidify the position, and I got it. Here are the first four pages of the story I was given, before the word balloons were added. I worked from Joe’s script.

[click on image to enlarge]

This is the story:

A guy, who’s just out of a long, serious relationship, gets picked up by his friends to drive to a party, where they meet up with some girlfriends bringing their friends. One of the girls has sewn a banana design on her skirt.

I assume this is where the research and study of people’s reactions to pro-social messages begins. Notice the two below pages are an “alternate ending 1” and “2”. Both begin with holding the car keys, and deciding what to do with them. Decision one: be responsible and don’t give the keys to the drunk. Result: you’ll make out with the girl and she’ll come home with you. Decision two: the drunk asked for the keys, so give them to him, and let him drive you home. Result: the drunk will crash into a parked police car.

Joseph wrote to me in December 2007 to give me some updates on the research project. It was posted digitally online, and he was able to recruit over 400 participants. The statistics showed that overall (65-70%) the primarily non-comics-reading audience enjoyed the art. He didn’t tell me any specifics about the data of the study. For instance, I was interested to hear how people like morality stories jammed down their fiction . . . “DON’T DRINK AND DRIVE.” I was interested if people noticed there was a subtle morality lesson by the lead character not letting his drunk friend drive, or if they just thought it was a nice love story. Things like that.

Joseph said he was planning to post a public link to the story, but I haven’t heard from him again (it being three and a half years as I post this), so I don’t know what the story looks like completed and lettered. I had worked from a script, but he had told me the script would probably change once he saw the art.

Joseph, we’d love to see the story! Are you still planning to post it?

“FIVE MONTHS, THREE WEEKS”: a research project Read More »

mailer #37, June 23, 2010

Tabloia Mailer #0000084371
Good morning, Tabloia fans!
ITEM! Our own artistic hack, Chris Wisnia, will be appearing at Sacramento’s “Indie Euphoria” Indy Comix, DIY, Vinyl Toy, Music & Urban Art Show! Chris will have a booth for his comics, and bring about twenty or so pages of sneak-peeks of the upcoming SLG-published second volume of Doris Danger! AND . . . from 5pm-6pm, Chris’s noisy, spastic rock band, Weird Harold, will be making a rare, EARLY, all-ages performance!
DETAILS: Sunday June 27, 2010 at the Scottish Rite Center (6151 H St., Sacramento CA). Hours: 10-6, Entry: $5 (includes band performances). Go to www.facebook.com/indyeuphoria

* * *
INCREDIBLE ITEM! THE RETURN OF “TABLOIA WEEKLY MAGAZINE!”
Fans, since the comic’s cancellation in 2006, all you Tabloia fans (Ed, Nick, and Jordy) have wept and had a hole in your hearts . . . UNTIL NOW! “Tabloia Weekly Magazine” has returned at last, now as a daily-posted web-comic! Check it out, for now, at our previous Tabloia blog site: www.chriswisniaarts.com/blog
WHAT IS TABLOIA? It’s the daily (weekdaily) post of all your favorite comics, heart-wrenching diary entries, monster drawings, photos, commentaries, and maybe two things more! Since March, we’ve been secretly posting the classics “Doris Danger Giant Monster Adventures” and “The Lump!” We’ve also posted our first “Best friends of the comics industry” photos and “Diary of a Struggling Comics Artist” entries in two years!
We didn’t want anyone to miss out, so we’re announcing the site now, even though we’re still working the bugs out! We will announce an official release soon! (Which will kick off with . . . who knows? Keep checking in . . . DAILY (weekdaily) for the return of the “Spider Twins contest” and even never-before-published Spider Twins comic adventures! never-before-published Dr. DeBunko Adventures! Pin-ups or rare stories and art that our own artistic hack Chris Wisnia has contributed to other books! “Shocking True Stories of the Bible!” Never-before-seen projects, like “Limbo Cafe!” and “Brush with Anger: starring Agent Ian Anger!”
That’s all at www.chriswisniaarts.com/blog (or coming there soon), with something new posted DAILY (weekdaily)!
NOTE: We know, fans, WE KNOW! A few years ago you had trusted us, when we had been posting mere WEEKLY things here and there, and where did we go? What happened to those things? Why were they left unfinished? How could we abandon you like that? Can you trust us, if you come back, with an even more demanding DAILY (weekdaily) format? Or will we just abandon you again?

Maybe so, fans . . . MAYBE SO!
www.chriswisniaarts.com/blog … DAILY (weekdaily)!

* * *

UNSUBSCRIBE? Simply reply to this email with the heading “The joke’s on me!”
Thanks for checking things out, fans, write and let us know what you think! -Rob Oder, Editor-in-Chief! (www.chriswisniaarts.com)

mailer #37, June 23, 2010 Read More »

148. THE PUBLIC CASTS THEIR VOTE: JUST HOW PATHETIC AM I?

diary entry, December 21, 2006

I check my chriswisniaarts.com emails every day. Every day there are ten or twenty goddamn email-clogging spam pieces of shit in my inbox to sort through. Usually, I get about half a dozen from different ‘people,’ with the EXACT SAME HEADER, suggesting I buy Viagra or Microsoft or write back to some ‘girl’ who would like to send me her ‘pics’. Regularly, I get two or three emails FROM THE EXACT SAME PERSON WITH THE EXACT SAME HEADER. The reason for this is my own fault: they send one to me, one to ‘Dr. DeBunko,’ and one to ‘Cleanie’ Santini (because I thought it would be fun to have all my different fictitious characters have their own emails). For this reason, I want to apologize if anyone’s sent me an email and never heard back from me. If your email name is only a first name, or if it’s not even a name at all, or if you leave some kind of vague heading, such as ‘hi,’ or nonsense sentences or a series of nonsense letters and numbers, I probably accidentally thought it was spam and deleted the message. But if I didn’t think it was spam, I try to write back to everyone, so go through your emails you’ve sent that I never replied to, and please resend them with a comics-related heading.

So while I check emails, I also check each day to see how many visits I’ve gotten to my website, and where these viewers came from. This is the equivalent of an ego search on Google, where I am scanning to see if my comics or website have been mentioned somewhere. And this is how I find out if reviews have been posted (since reviewers often don’t let me know they posted anything about my work). And this month, I kept getting all these hits from Warren Ellis’s The-Engine.net.

Now I recognize that I discussed this event in a previous diary entry, but it was something that moved and unsettled me in a way I am going to work my mind through it again here. (Not to mention I forgot I wrote about it and just rewrote it again here).

I would click over to the Engine, however, and it’s set up to only show the most current page and not where I was mentioned. So I would do searches for ‘Chris Wisnia,’ ‘Wisnia,’ ‘Doris Danger,’ ‘Dr. DeBunko,’ ‘Tabloia,’ but NOTHING would come up. I was dumbfounded. And meanwhile, more and more click-overs, every day, continued piling over to my website.

Finally, after a week of this, I started getting a ton of hits from ‘Newsarama.com.’ So I clicked over to see what was causing people to send THIS site to mine. Here I read about how Larry Young of AIT-Planet Lar has been generating a lot of heat at the Engine, due to an argument he’s been in with someone about self-publishers doing their own thing, instead of doing superhero comics.

The article then mentioned that it’s worth reading this argument, if nothing else, to get the link to ‘the interesting and sad story of Chris Wisnia,’ which was linked to my diary. Ah HA! THAT’S why everyone is linking over to my site.

But wait a minute. ‘Sad?’ Everyone is reading my blog because they want to hear a ‘sad’ story?

So then I began thinking back. I had gotten a few emails to my website, saying people were enjoying my blog. And THEY were saying how depressing it was too.

So now I had a link to the ‘the-Engine.net’s’ link to my site, and was able to see what was cooking. A young whipper-snapper had boldly, blatantly posted a link to his superhero discussion page, with an attitude of how ‘neat’ superhero comics are, and how people surely want to join yet another goddamn superhero discussion (which the Engine’s ‘rules for posts’ frowned on). And he was even frowned at by the moderator, who pointed out he’d done this repeatedly, and was pissing people off and better quit.

He was arguing that what he WANTS to do is make superhero comics, and he’s convinced his own stories are so clever and talented that they’re bound to be big hits. Larry was trying to explain to this poor naive newbie that he doesn’t have the slightest understanding of the comics industry, and that he’s setting himself up to get hammered and devastated. This is an industry you have to keep trying and trying and crying and busting your balls for maybe five or ten years before you get any notice. Even if Newbie’s story is any good, it will still be ignored by the public, because if the public wants to read superhero comics, they’re not going to read some shitty indie-comic they’ve never heard of, they’re going to go to the only two companies in the industry who every shop in America stocks, and who has money to advertise, and name recognition, and characters that people already know and like: Marvel and DC. People aren’t interested in superhero comics from anywhere else, if they know they can get reliable and decent superhero comics from the Big Two.

Larry was arguing that a new and aspiring creator should carve his/her own niche and try to instead ACTUALLY CONTRIBUTE TO THE MEDIUM in some way that isn’t redundant and worn out, and that’s his/her only hope of getting any notice in the industry. And then he/she can always get picked up by the Big Two and do superhero comics later on, which is inevitable, if the he/she has any talent and wants to ultimately make a living in the comics industry, instead of starving to death and losing money every issue.

Then, after Mr. Naïve made another clueless and go-getting reply, Larry said, Fine, and how are you going to avoid ‘this’ happening to you. I clicked ‘this,’ and found – ah HA! – a link to my blog! It was specifically, a link to the page I discussed all the pin-up artists I had in my comics, all the ads I’d run and what they cost me, and all my sales numbers for my five issue ‘Tabloia’ run, and what a financial disaster it had been.

And then I thought, Sure, this is nice to get a link, and some attention. And it got a fair amount of attention, too. That month, between the newsarama and this Engine link, there were 180 visitors to my site. Maybe that doesn’t seem like a lot of hits to a site, but for me, that’s considerable notice.

But did all these people just think I was a pathetic example of bad choices and moronic business sense? Would people assume this means I’m just a talentless hack, and my sales numbers prove it? Would people say, This moron has to quit wasting his time and money, and get a job bagging groceries at a supermarket.

To hammer the idea home even harder, I began getting visitors to my site from another amazing link (which I absolutely loved, but which did kind of sadden me at the thought that maybe people pity or tease me for my drive and lack of success.) It also didn’t mention my name. It just said, ‘Note to my crazy future self, If you ever think you want to basically be an insane crazy person in the gutters, pursue your art in this fashion,’ and then it linked to my blog.

So at this point, I was in a weird mood, and I decided I wanted to email Larry Young, arguably the man who on the one hand was getting me all this new attention, but on the other hand, who indirectly began me questioning my self-worth and how people perceive me as a struggling comics creator and artist.

148. THE PUBLIC CASTS THEIR VOTE: JUST HOW PATHETIC AM I? Read More »

“She’s A Superfreak” #2 pin-up

In February 2006, at the Orlando MegaCon, I befriended Andrew Gregory, who said he was enjoying my Doris Danger stories, and gave me a copy of his bizarre and entertaining comic, “She’s a Superfreak” (Movement Comics). By the end of the con, he had commissioned me for a pin-up for his book. It was my first paid commission. He asked for a Kirby-style giant monster, and this is what I came up with:

[click on images to enlarge]


It was published in “She’s a Superfreak” #2 in 2007. Meanwhile, I altered it for my own sinister purposes, and included it in “Doris Danger Seeks … Where Urban Creatures Creep and Stomp!” (2007) as a splash page of my own.

Fans! You can buy our self-published Doris Danger comics on our MERCHANDISE PAGE! You can buy the 96-page “Doris Danger Giant Monster Adventures at AMAZON.COM!

“She’s A Superfreak” #2 pin-up Read More »

Caveman Robot pin-up

As we revamp “Tabloia Weekly Magazine: The Web Blog”, we find for the first time, going through the Tabloia vaults to pull out all this old work, that it really wasn’t very good! Much of what we’ve posted here was conceived and scripted and lain out as early as 2001! “The Lump” and early “Doris Danger” stories which went to press in 2004, were actually drawn in 2002! This realization of outdated, amateurish shoddiness prompted us to begin publishing this latest Tabloia series … “Other Projects!” Expect to see pin-ups for other people’s comics, a short story from an anthology, CD art, a trading card, and, well … that’s about it, actually!

Here’s our first, which is still OLD! -Rob Oder, Editor-in-Chief!

Click on images to enlarge

This is a pin-up I did for Jason Robert Bell’s CAVEMAN ROBOT comic, “Oolar! Stories from the Wild World of Caveman Robot” and “Tetragrammatron One With Two!” (Tetragrammatron Press) back in 2005. Yes, that is all one title – it was a flipbook, with “Oolar! Stories from the Wild World of Caveman Robot” on one side, and then you flip the book over and there will be “Tetragrammatron One With Two.” If you’re like me, you’ll read and re-read that book’s title, and try and make linguistical sense of it.

The book is 44 pages of black and white madness by Britton Walters, Jason Robert Bell, Shoshanna Weinberger, Luc Thomas, Chris Wisnia (my pin-up is colored and text is added) and Greg Cook! You can get more details at www.cavemanrobot.com!

I later used a portion of the image for the inside front cover and title page of my second Doris Danger treasury, “Doris Danger Seeks … Where Urban Creatures Creep and Stomp!” (2007)

I removed Caveman Robot and added a couple passersby which I swiped from another Doris Danger page from the same book, which you can see here, if you look around a bit:

Fans! You can buy our self-published Doris Danger comics on our MERCHANDISE PAGE! You can buy the 96-page “Doris Danger Giant Monster Adventures at AMAZON.COM! (You’ll find OOPF, but you won’t find the above leg picture included!)

Caveman Robot pin-up Read More »

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