Diary of a Struggling Comics Artist

4. NEAL ADAMS (approx. 3:40) – DIARY OF A STRUGGLING COMICS ARTIST

Neal Adams shares how he appealed to publishers to create a royalties system.

HERE’S A LIST of all the interviews of all your favorite comics artists that we’ve posted so far, and YOU kind Patreon supporters can gain additional access to early and bonus features! If you enjoyed any posts at this website, then this struggling comics artist is grateful for your kind support!

4. NEAL ADAMS (approx. 3:40) – DIARY OF A STRUGGLING COMICS ARTIST Read More »

11. SERGIO ARAGONES (approx. 1:45) – DIARY OF A STRUGGLING COMICS ARTIST

Sergio Aragones discusses the challenges of creator owned projects.

HERE’S A LIST of all the interviews of all your favorite comics artists that we’ve posted so far, and YOU kind Patreon supporters can gain additional access to early and bonus features! If you enjoyed any posts at this website, then this struggling comics artist is grateful for your kind support!

11. SERGIO ARAGONES (approx. 1:45) – DIARY OF A STRUGGLING COMICS ARTIST Read More »

1. A little about “DIARY OF A STRUGGLING COMICS ARTIST” documentary

This project is a long time in the coming, everybody!  We filmed so much footage, we finally had to cap it off, and even THEN we still slipped in one last interview with Kelley Jones!

We interviewed so many great artists (100 hours?  200? A list is HERE), and it’s been so daunting, that after eight years of notating and frustrating stops-and-starts finding an editor, we decided we’ll take it a small step at a time, and Patreon here is the perfect place to do that.

As we compile and edit each one-to-four minute clip of some of our favorite artists, we’ll get it out to you, here at Patreon, and then get to work on the next one.  We’re thinking long term, so that in a year, we’ll have enough great clips for a full length documentary, with a lot of the work already done.

Here are the kinds of subjects we’ve been broaching, and you haven’t heard these kinds of answers in many other documentaries:

How I got into the industry
My first portfolio review
Quitting my day job
Constant hunt to find work
Non comics art-related jobs to help pay the bills
Family and friend stresses
Working for the Big Two vs. Creator-Owned
Paycheck vs. ownership
Hollywood deals

We’re so appreciative of your support while we get this put together, and we look forward to sharing all these clips, which we hope you’ll really enjoy!  More soon!

1. A little about “DIARY OF A STRUGGLING COMICS ARTIST” documentary Read More »

18. DIARY OF A STRUGGLING COMICS ARTIST – DOCUMENTARY – Mission Statement

Please visit www.chriswisniaarts.com/blog/archives/1150 for a list of all the phenomenal comics creators that we’ve posted interview clips! New video sneak peek like this, every week! YOU kind Patreon supporters can gain additional access to early and bonus features at Patreon.com/ChrisWisniaArts! Chris’s official website is www.ChrisWisniaArts.com.

This has been a DIARY OF A STRUGGLING COMICS ARTIST Mission Statement!
Executive Producer: Chris Wisnia
Post Production: Schantz Studio Productions
Crew: Dan Hart
Todd Hodges
Scott Panco
Gerry Chow
Anthony Desiato
Justin Sane
Chris Brandt
Mark Rodrigues

Music by Weird Harold

18. DIARY OF A STRUGGLING COMICS ARTIST – DOCUMENTARY – Mission Statement Read More »

3. “DIARY OF A STRUGGLING COMICS ARTIST” DOCUMENTARY – trailer

We’re gonna start posting interview clips from this documentary soon, folks!  I’m so excited to share all the fantastic interviews and insights and experiences from all your favorite comics creators; the different journeys they’ve taken,  and struggles THEY’VE faced, and choices they’ve made in their careers to get where they are!

HERE’S A LIST of all the interviews of all your favorite comics artists that we’ve posted so far, and YOU kind Patreon supporters can gain additional access to early and bonus features! If you enjoyed any posts at this website, then this struggling comics artist is grateful for your kind support!

Please subscribe, give the thumbs up, and tell all your friends!

3. “DIARY OF A STRUGGLING COMICS ARTIST” DOCUMENTARY – trailer Read More »

2. DIARY OF A STRUGGLING COMICS ARTIST – DOCUMENTARY teaser

HERE’S A LIST of all the interviews of all your favorite comics artists that we’ve posted so far, and YOU kind Patreon supporters can gain additional access to early and bonus features! If you enjoyed any posts at this website, then this struggling comics artist is grateful for your kind support!

I’m truly excited to finally be able to share this, everybody, and I’m hoping Patreon is the perfect place to start offering sneak peeks to you.

Back in 2010 I had this idea to film a comic book documentary, because I watched a few and didn’t see anyone covering a topic that I felt was important and interesting about the comics industry.

So in March 2011, a crew of friends who wanted to help, began joining me at comic cons with their cameras and sound equipment, so that we could go to professionals (and aspiring professionals) and ask them about the struggles they had faced, trying to get into the industry  of making comic books, and stay in the industry.

Above is a teaser of that upcoming documentary.  Shortly, I’m going to start posting clips of all the amazing artists who were so kind to give us their time and share their struggles.   At my website, www.chriswisniaarts.com/Diary_doc_index.html, I’ve posted a list and some photos of some of these artists, and you can look forward to hearing from them soon!

Until then, I hope you enjoy this teaser of what’s to come, for my documentary, “Diary of a Struggling Comics Artist.”

– Chris

2. DIARY OF A STRUGGLING COMICS ARTIST – DOCUMENTARY teaser Read More »

Jell-o Pudding Commercial with Bill Cosby (1983)

I’m the boy right next to Bill Cosby, 1983. I’m eleven. I believe I was paid $50 to be in this ad.

We spent one evening getting measured and clothed. I got to keep the suit. Day of the shooting, all the kids met at this table in a banquet room in a South Lake Tahoe casino. Before Mr. Cosby came in, the camera man prepped us how we would take photos with the cup of pudding – No, DON’T EAT IT YET! – THEN take photos of us SLOWLY eating the pudding, THEN take photos with the empty cups. Some kids were swapped out between shots, but I remained for everything.

Finally, Bill Cosby arrived in his tie and jacket, a cigar, and with only red boxing shorts and beach thong sandals. I think it was supposed to be a joke to make it fun, but I somehow didn’t process it as particularly funny or unusual at the time.

Even at this young age, I distinctly remember thinking Mr. Cosby seemed serious and NOT funny, not smiling, and not particularly excited to be there, and then he would put down his cigar and all of a sudden turn on his “entertaining, fun with kids” persona and crack some jokes and give that smile we know.

The adorable little African American girl refused to do anything they asked, and I remember Mr. Cosby spending a lot of time trying to joke with her and get her to hold up the cup, or smile, or keep her head up, or look at the camera, and so on. I don’t know exactly how to express my conflicted feelings about having done this ad with Bill Cosby.

Jell-o Pudding Commercial with Bill Cosby (1983) Read More »

My documentary. Diary of a Struggling Comics Artist.

I’ve begun publicly releasing sneak-peeks of my upcoming comic book documentary!  It features interviews I conducted from 2011-2015, with comics pros NEAL ADAMS (who in the 1960’s-70’s created the “dark” Batman look that has become the standard), MIKE ALLRED (creator of iZombie, a Netflix series), SERGIO ARAGONES (Mad Magazine “between the margins” artist), DICK AYERS (inker of the earliest issues of Fantastic Four, Hulk, Thor, Antmanand others), JEFFREY BROWN (Vader and Me), KEVIN EASTMAN (co-creator of the Teenage Mutant Ninja Turtles), RAMONA FRADON (1950’s artist of Aquaman), DAVE GIBBONS (artist of Watchmen), THOMAS JANE (actor who played the Punisher and TIM BRADSTREET (cover artist who defined the Punisher’s look for the movie), SAM KIETH (co-creator of Neil Gaiman’s Sandman, and the Maxx – made into an MTV cartoon), ROBERT KIRKMAN (creator of Walking Dead), TODD McFARLANE (creator of Spawn), JAMES O’BARR (creator of the Crow), NATE POWELL (artist of John Lewis’s autobiography, March), SCOTT SHAW (1980’s Muppet Babies producer), STEVEN T. SEAGLE (co-creator of Ben-10 and Big Hero 6), JIM STARILN (creator of Thanos and Drax), HERB TRIMPE (artist of the first Wolverine comics)… and that’s just some of ’em!

HERE is the teaser!

HERE is the trailer!

Here is the COMPLETE LIST OF SNEAK PEEKS of interviews that are so far available, or becoming available shortly.  We are adding a new clip every week!

In 2010 I was thinking about how difficult it is, in so many ways, to try to make a living in comics.  Trying to get into the industry, the stress of needing to find new work every month to pay rent, to not have benefits or insurance, the shrinking state of the industry and general public lack of interest in comics, getting your work made into films and other media, decisions about taking work-for-hire in which you get a paycheck but own nothing you create vs. ownership but no guaranteed income and having to promote yourself and your product that no one has ever heard of… Regardless of the level you’re at, it comes with struggles.

HERE ARE some videos posted free to the public (I will continue posting a new one each week):

NEAL ADAMS (approx 3:40) shares how he appealed to publishers to create a royalties system.
LEE BERMEJO (approx 5:15) discusses the challenges of creator owned projects.
TIM BRADSTREET (approx 3:20) discusses the challenges of freelancing in the comic industry.
JEFFREY BROWN (approx. 4:05) discusses the peaks and valleys of being a freelancer.
HOWARD CHAYKIN (approxx 1:45) discusses transitioning from comics to television.
MY WIFE AND I (approx. 4:15) discuss our arguments in the early years of their relationship.

I hope you will check out this project, and if you are willing, it would be an immense help and kindness to me and other artists interviewed, if you could share any of the above links, subscribe to my below social media accounts, and so on.  I’d love to hear any comments you’d care to give as well!

I am posting these video clips (and much more) at my Patreon.com/ChrisWisniaArts, a platform where artists can gain support from their fans in exchange for secret-society-style access to incentives and bonus features.

Since the beginning of time (unless we were born or married into the class of the idle rich), artists have been at the mercy of their patrons:

Michelangelo could never have painted the masterpiece that adorns the Sistine Chapel’s ceiling without Pope Julius II’s funds.

The Impressionists had Durand-Ruel, who purchased over 3000 Monets, Renoirs, Pissarros, Sisleys, Cassatts, and Manets, to allow them to subsist, and to make their art. He basically encouraged, nurtured, and financed the entire impressionist movement.

Van Gogh never sold a painting in his lifetime. (He DID sell a couple drawings.)  He was penniless, but had a brother who provided him with money for food, a roof over his head, and paint and canvases, to create his body of work.

People like these allowed artists to dedicate their time – eight or twelve hours a day – to making their art.  Patreon is a great place for modern-day artists, who – like all the artists of history – need support in this digital age.  If you value ART and THE ARTS, in our society and communities, or gain pleasure from it, and if you’d like to directly support me as an artist and the creation of my art, I hope you’ll consider a tier level (as low as one dollar a month) at my Patreon.com/ChrisWisniaArts, where I have been dutifully posting my comics, high res images, essays, videos, and more, a few times every week for the last fifteen months, and plan to continue to do so, with great excitement for all my projects, for the foreseeable future.

Thanks as usual for checking out all the projects I’m always up to!

Sincerely,
Chris Wisnia
www.ChrisWisnia.com
YOUTUBE

Facebook/ChrisWisnia
Twitter@ChrisWisnia

My documentary. Diary of a Struggling Comics Artist. Read More »

160. NEW YORK COMIC-CON 2007, Five

diary entry: February 23-25, 2007, part five

DAVID MAZZUCHELLI

While talking with Brian Bolland, Brian mentioned I should ask David Mazzuchelli about doing a pin-up for me. What??! I hadn’t even realized David was going to be at this con. WOW! David Mazzuchelli. What excitement.

He had a huge mob of people there to see him. They all had books to sign, so I found a way to squeeze around to the side of them all and talk with him a little.

He’d brought a bunch of sketches of Batman and Daredevil and Catwoman. Head shots and more expensive full body shots. I overheard someone try to buy two, and David told him he was only selling one to each person, to give as many of his fans the opportunity to enjoy his work.

I showed him my comic and asked if he ever has time to do commissions. He started to give an answer, but then just said, “Well, no.” But he said he’d like to take the book and look it over when he had some time. I checked in with him periodically. He of course never had time to look it over during the convention. I asked him if he had any contact info he could give me, to check in with him, and he said no. I understand.

ALEX MALEEV and ESAD RIBIC

Before the show, I’d spent time at the website to see who would be there. I kept hoping to find Alex Maleev, because I’s seen him before at San Diego Comic-Con, and I knew he’d be doing convention sketches, and I wanted to see if he might do a sketch for me. But Alex was never at his art representative’s booth whenever I made the trek downstairs. I finally asked his rep if I could leave a book for him to show Alex, and if he could ask Alex about a commission of a giant monster for me. He said he’d probably forget, and besides, he didn’t think Alex would do it. So that was not very encouraging.

Finally, at the end of the first day, I saw Alex, but it looked like he was packing up. I asked him, “Alex, are you leaving?” He said, “Yes, but don’t worry. I’ll be back tomorrow.” So that was that for the day.

The next day, I popped downstairs again, and Alex was there, and Esad Ribic was sitting with him. Alex was busy, so I said hello to Esad. He recognized me and lit up and said, “Hey, what’s up, buddy!” and put his hand out for a high-five. I visited with him for a little while. He said ever since he finished his painted Loki series, he’s been working on a painted Silver Surfer series, and it’s due to be out this summer – right in time for the movie, I presume.

He was very friendly. I told him I’d come down to ask about getting a pin-up from Alex. He said, “Go ahead.” I got Alex’s attention and made my pitch, and Alex didn’t seem particularly interested. But then an amazing thing happened. Esad shouted out, “You will do a pin-up for this guy! I did a pin-up, and you’ll do a pin-up for him too, because he’s a cool guy!” And from then on, Alex took me seriously, and wound up doing a pin-up at that very con. Esad teased me, “But you are taking us to lunch at San Diego!” If my punishment for getting pin-ups is taking these cool guys to San Diego, I will take my punishment like a man.

My friend Doug had been a real sport watching the table while I ran up and down the stairs, up and down all the aisles, trying to make all these connections. I tried to spend a fair time at the table as well, so that he could see New York a little. He was able to step out and hit a bunch of museums.

THE TRIP HOME

We left the convention and tried to get a cab out front for about half an hour. Out front were a ton of these black sedans with their drivers harassing us and bargaining prices to take us to the airport, and actually getting in arguments with each other about which of them was taking us. We walked up the street about three blocks, then back, and cabs would drive by without stopping, if we spotted them at all. Finally, we walked up perpendicular to the road about three blocks, hauling all our suitcases all the while.

A cab saw us and flipped around and got caught at a light, and there was suddenly a cop behind him, and he wound up continuing onward. Finally a cab stopped for us and took us to the airport.

We arrived and waited at our gate about a half hour, then suddenly realized our gate didn’t have our flight listed. Suddenly frantic, we ran to the front of the line and asked where our flight was. They said we had to walk all the way down to a different desk. We bolted, and learned we needn’t have bothered, because it turned out a snowstorm had begun blizzarding outside, while we were in. The flight was delayed.

Finally we got seated on the plane, but then had to wait a little longer for the plane to be de-iced. We tried to get some sleep, and were home by three in the morning, and ready to work the next day. What a trip!

160. NEW YORK COMIC-CON 2007, Five Read More »

Scroll to Top