{"id":2379,"date":"2018-09-28T00:36:32","date_gmt":"2018-09-28T06:36:32","guid":{"rendered":"https:\/\/chriswisniaarts.com\/blog\/?p=2379"},"modified":"2020-05-29T21:53:52","modified_gmt":"2020-05-30T03:53:52","slug":"doris-danger-vol-1-intro-page-005-script","status":"publish","type":"post","link":"https:\/\/chriswisniaarts.com\/blog\/archives\/2379","title":{"rendered":"Doris Danger (vol. 1, Chpt. 1), page 005  \u2013 Script"},"content":{"rendered":"<p>Here is my original script for this five-page story. I&#8217;ll interpose my commentary on the script with parenthetical italics.<\/p>\n<p>10\/2\/02<\/p>\n<p><strong><em>(Notice my excitement to create this story was such that I had begun scripting a couple sequences the same day I started and finished the plot &#8211; 10\/2\/02. I finished drawing the splash the next day, 10\/3\/02. <\/em><\/strong><strong><em>I scripted pages two through five (everything besides the splash, which didn&#8217;t have much script to write) on 10\/6\/02 &#8211; AFTER I&#8217;d finished drawing the splash. This is telling that I was truly just seeing where the story led itself, without premeditation or a finished script.\u00a0 That same day,\u00a0<\/em><\/strong><strong><em>I also drew the first page. I didn&#8217;t date the third or fourth pages, but the final page is dated 10\/29\/02. I had a day job, so I was producing the most work on weekends, and did the five page story in under a month.)<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/\/?p=413\">SPLASH:<\/a><\/p>\n<p>ROB ODER PRESENTS: THE SHOCKING TRUE-LIFE EXPLOITS OF DORIS DANGER . . . AS SHE EXPLORES . . . WHERE GIANT MONSTERS CREEP AND STOMP<\/p>\n<p><em><strong>(This text got moved off the splash, to the second page.)<\/strong><\/em><\/p>\n<p>SPLUH!\u00a0 THE THING WHO BURST\/OOZED\/ERUPTED FROM THE ERUPTING\/LIVE\/EXPLODING VOLCANO<\/p>\n<p><em><strong>(Sometimes I can&#8217;t decide on word choice, so I just jot down whatever comes to mind and decide later. Burst. Oozed. Erupted.\u00a0 Where I would ultimately pick ONE for the finally, Stan Lee made this a part of his writing style &#8211; &#8220;I was so hungry, so starving, so famished, so desirous to eat something, so in the mood to put food in my mouth!&#8221;\u00a0 I didn&#8217;t pick up on this style to parody it for these early stories, however.)<\/strong><\/em><\/p>\n<p>ORIGINALLY PRESENTED IN TABLOIA WEEKLY MAGAZINE #136 JUNE 1953<\/p>\n<p>WISNIA &amp; AYERS<\/p>\n<p><strong><em>(See how I actually put in the script for the page to be signed &#8220;Wisnia and Ayers&#8221;??! And how I already knew it had to have been &#8220;originally presented&#8221; in a previous issue of Tabloia??\u00a0 See my <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/1246\">page 002 \u2013 Commentary<\/a>)<\/em><\/strong><\/p>\n<p>FLEE FOR YOUR LIVES!<\/p>\n<p>FLEE FROM SPLUH!<\/p>\n<p>* * *<\/p>\n<p>(<em><strong>After the very brief text and dialog of the splash, the first script I wrote out was for the last panel of <a href=\"https:\/\/chriswisniaarts.com\/blog\/?p=417\">page five<\/a>, which was a text-only panel):<\/strong><\/em><\/p>\n<p>WHO IS THE MAD SCIENTIST WITH THE REMOTE CONTROL?<\/p>\n<p>HOW IS HE INVOLVED?<\/p>\n<p>WHY IS HE GIGGLING?<\/p>\n<p>WHY ARE THE MYSTERIOUS MEN WHO HELP HIDE MONSTERS WEARING FEZZES?<\/p>\n<p>WHY ARE THE ARMY AND FBI WORKING TOGETHER TO COVER ALL THIS UP?<\/p>\n<p>DID . . . DORIS REALLY SEE MORE THAN ONE MONSTER?<\/p>\n<p>WHERE . . . DID THE UFO COME FROM?<\/p>\n<p>WHERE . . . DID IT GO?<\/p>\n<p>WHERE . . . DID THE MONSTERS AND UFO GO?<\/p>\n<p>WHAT . . . IS THE MOTIVE OF THE RENEGADE TEAM KNOWN AS THE MLA?<\/p>\n<p>WHAT . . . IS THE MONSTER&#8217;S SECRET AGENDA?<\/p>\n<p>WHAT . . . SECRET AGENDA ARE THE MONSTERS PLANNING?<\/p>\n<p>WHAT . . . IS GOING ON?!!<\/p>\n<p>FIND OUT ALL THIS AND MORE NEXT WEEK!\u00a0 ONLY IN TABLOIA!<\/p>\n<p>HOW CAN YOU DARE MISS OUT ON THE ANSWERS TO ALL THESE QUESTIONS AND MORE?\u00a0 YOU CAN&#8217;T!\u00a0 JOIN US NEXT WEEK!\u00a0 ONLY IN TABLOIA!<\/p>\n<p>* * *<\/p>\n<p><em><strong>(The second chunk of text I wanted to figure out was what different things the monster might say with his stutter. You can see my priorities with the script):<\/strong><\/em><\/p>\n<p>SPLUHH monster speaks:<\/p>\n<p>FOO . . . FOO . . . FOOLS!<\/p>\n<p>YOO . . . YOO . . . YOU ARE DOOMED<\/p>\n<p>PYOO . . . PYOO . . . PUNY MORTALS . . .<\/p>\n<p>HYOO . . . HYOO . . . DETESTED HUMANS<\/p>\n<p>YOO . . . YOO . . . YOU JERKS . . .<\/p>\n<p>HYOO . . . HYOO . . . HUMANS ARE MEAN . . .<\/p>\n<p>* * *<\/p>\n<p><em><strong>(Then for some reason, I wrote out the last text panel of <a href=\"https:\/\/chriswisniaarts.com\/blog\/?p=417\">page five<\/a> again, changing some, changing the order. I guess this was a key panel for me.):<\/strong><\/em><\/p>\n<p>WHO . . . IS THE MAD SCIENTIST WITH THE REMOTE CONTROL?<\/p>\n<p>WHO . . . ARE THE MYSTERIOUS MEN WEARING FEZZES<\/p>\n<p>WHY . . . ARE THE MYSTERIOUS MEN WEARING FEZZES HELPING THE MONSTER OR MONSTERS?<\/p>\n<p>WHERE . . . DID THE UFO COME FROM?<\/p>\n<p>HOW . . . IS THE UFO CONNECTED WITH THE MONSTERS?<\/p>\n<p>WHERE . . . DID IT GO?<\/p>\n<p>WHAT . . . ARE THE MONSTERS UP TO?<\/p>\n<p>HOW . . . MANY MONSTERS ARE THERE?<\/p>\n<p>WHAT . . . IS THE GOVERNMENT&#8217;S INTEREST IN ALL THIS?<\/p>\n<p>WHY . . . IS THE FBI TRYING TO COVER EVERYTHING UP?<\/p>\n<p>HOW . . . DID THE ARMY KNOW WHERE THE MONSTER WOULD BE?<\/p>\n<p>WHY . . . ARE THE ARMY AND FBI WORKING TOGETHER?<\/p>\n<p>WHAT . . . IS THE MOTIVE OF THE RENEGADE TEAM KNOWN AS THE MLA?<\/p>\n<p>WHAT . . . IS GOING ON?<\/p>\n<p>10\/6\/02 SCRIPT<\/p>\n<p>DANGER: SPLUHH<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/\/?p=414\">PAGE TWO<\/a><\/p>\n<p>PANEL 1<\/p>\n<p>TABLOIA PRESENTS ANOTHER SHOCKING TRUE-LIFE ACCOUNT.\u00a0 ACE PHOTO JOURNALIST DORIS D SAYS GOODBYE TO HER BOYFRIEND, STEVE W. BEFORE EMBARKING ON AN ASSIGNMENT THAT WILL UNWITTINGLY LEAD HER WHERE GIANT MONSTERS CREEP AND STOMP.<\/p>\n<p>STEVE: I WISH YOU WOULDN&#8217;T GO, DORE!\u00a0 THE WEIRD ___ TREMORS OF THE VOLCANOES ON THE CAYMAN ISLANDS ARE MYSTERIOUSLY EMINATING &#8220;GASSIGINA RADIATION&#8221;!<\/p>\n<p>DORIS: I&#8217;VE GOT TO GO, STEVE.\u00a0 OH, STEVE, PLEASE DON&#8217;T.\u00a0 IT&#8217;S AS IF FATE IS PULLING ME THERE.\u00a0 I&#8217;VE JUST GOT TO.\u00a0 YOU KNOW I&#8217;VE JUST GOT TO GO.<\/p>\n<p>PANEL 2.<\/p>\n<p>DORIS: YOU&#8217;RE THE ONLY ONE I&#8217;VE TOLD ABOUT MY RECURRING NIGHTMARES.\u00a0 ABOUT HOW I BELIEVE THEY MAY BE REPRESSED MEMORIES OF MY CHILDHOOD.<\/p>\n<p>STEVE: THE WAY YOU DESCRIBED THE GIANT CREATURE, AND HOW IT ABDUCTED YOU, CONTAINED TOO MANY DETAILS NOT TO HAVE BEEN REAL.\u00a0 AND YOU SWORE YOU COULD EVEN SMELL THE TOXIC &#8220;GASSIGINA&#8221; WHILE THE THING PROBED YOUR BRAIN WITH A &#8220;VACUUM NEEDLE.&#8221;\u00a0 NO I UNDERSTAND WHY YOU MUST GO, BUT BE CAREFUL, DORIS.<\/p>\n<p><em><strong>(I had to really trim down all this text to get it to fit in two panels. After brainstorming it all out, I rewrote some of the above into the following sentence:)<\/strong><\/em><\/p>\n<p>HOW IT PROBED YOUR BRAIN WITH A &#8220;VACUUM NEEDLE,&#8221; THE SMELL OF TOXIC GASSIGINA PRESENT . . .<\/p>\n<p>I LOVE YOU, STEVE.<\/p>\n<p>PANEL 3<\/p>\n<p>SOON, ACROSS THE GLOBE, AT THE BASE OF THE ISLAND&#8217;S MASSIVE VOLCANO . . .<\/p>\n<p>DORIS: THIS IS WHERE THE STRANGE TREMORS HAVE BEEN REPORTED STRONGEST.\u00a0 I TOOK THIS ASSIGNMENT SECRETLY HOPING IT MIGHT LEAD TO MY MOST DESPERATE DESIRE: PROOF OF THE EXISTENCE OF GIANT ALIEN CREATURES!<\/p>\n<p>BUT WHAT IS THE UNITED STATES ARMY DOING HERE?\u00a0 AND WHAT ARE ALL THESE BARRICADES AND TANKS?<\/p>\n<p>PANEL 4<\/p>\n<p>YOU CAN&#8217;T COME THROUGH HERE, MA&#8217;AM.\u00a0 SORRY, MA&#8217;AM, THIS HERE&#8217;S A DANGER SITE.\u00a0 YOU GOTTA STAY OUTSIDE THE BARRIERS.\u00a0 BY ORDER OF THE U.S. GOVERNMENT.<\/p>\n<p>BUT I&#8217;M A PHOTOGRAPHER FOR TABLOIA MAGAZINE.<\/p>\n<p>NO PHOTOS, MA&#8217;AM.\u00a0 FER YER OWN SAFETY, BEST YOU OUGHTA GO BACK HOME.<\/p>\n<p>PANEL 5<\/p>\n<p>PSST.\u00a0 HEY LADY.\u00a0 WHITE MEN ARE TRYING TO COVER UP.\u00a0 THEY SAY RADIOACTIVE METEOR FALLS FROM SKY.\u00a0 NOT SO.\u00a0 DON&#8217;T BELIEVE THEIR LIES.<\/p>\n<p>DOES METEOR LEAVE A FOOTPRINT?!<\/p>\n<p>VOLCANO GOD RETURNS!<\/p>\n<p>AFTER MANY GENERATIONS, WHITE MEN ANGER HIM!\u00a0 VOLCANO GOD!<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/\/?p=415\">PAGE THREE<\/a><\/p>\n<p>PANEL 1<\/p>\n<p>MA&#8217;AM?\u00a0 AGENT SLICK\/FLEET\/SLEAT\/SKEATES, FBI G DIVISION.\u00a0 I&#8217;M GONNA HAVE TO ASK YOU TO GIVE ME THAT CAMERA AND COME WITH ME.<\/p>\n<p>PANEL 2.<\/p>\n<p>HEY!\u00a0 HALT!\u00a0 HALT!\u00a0 THAT&#8217;S A RESTRICTED AREA!\u00a0 YOU&#8217;RE IN BIG TROUBLE, LADY!<\/p>\n<p>PANEL 3<\/p>\n<p>BING BING BING!<\/p>\n<p>SIR: THE GASAGINA RADIATION METER IS SUDDENLY GOING BONKERS!<\/p>\n<p>&#8211; HALT HALT<\/p>\n<p>PANEL 4<\/p>\n<p>WHAT&#8217;S THAT SMELL?\u00a0 GOOD GRACIOUS!\u00a0 WHAT THE!<\/p>\n<p>FOO FOO!<\/p>\n<p>SARGE: OH MY GOD!<\/p>\n<p>BING BING BING!<\/p>\n<p>PANEL 5<\/p>\n<p>HOLY CRIPES<\/p>\n<p>MEN GET IN POSITION<\/p>\n<p>G DIVISION WAS RIGHT &#8211; THIS IS WHAT WE&#8217;RE TRAINED FOR, BOYS!<\/p>\n<p>WHERE&#8217;D IT COME FROM?!<\/p>\n<p>IT WAS A MONSTER ALL ALONG!\u00a0 WE&#8217;VE FOUND HIM AS G DIVISIONS&#8217; RESEARCH SCIENTISTS EXPECTED!\u00a0 RIGHT WHERE G DIVISION PIN-POINTED HIM ALL RIGHT &#8211; HE&#8217;S MADE HIMSELF KNOWN!\u00a0 REPEAT PROJECCT UNEARTH HAS<\/p>\n<p>TURN THE ARTILLERY AROUND!\u00a0 QUICKLY!<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/\/?p=416\">PAGE FOUR<\/a><\/p>\n<p>PANEL 1<\/p>\n<p>PWEE PWEE!<br \/>\nDOOSH!<br \/>\nZWAZWAZWA!<br \/>\nBWEE! BWEE!<br \/>\nSPWAH!<br \/>\nCUNCH!<br \/>\nCUNCH!<br \/>\nCOO!\u00a0 COO!<br \/>\nCOCKACOCKA!<br \/>\nKAKAKAKAKA!<br \/>\nBUGGABUGGA!<br \/>\nBUGGABUGGA!<br \/>\nPOOP!\u00a0 POOM!<br \/>\nPOOP!\u00a0 POOSH!<br \/>\nPYOO!<br \/>\nPYOO!<br \/>\nSPAH!<br \/>\nSPAH!<\/p>\n<p><em><strong>(Notice the excitement for coming up with exciting (i.e., &#8220;dumb,&#8221; childish, &#8220;unrealistic,&#8221; (hopefully) funny) sound effects!)<\/strong><\/em><\/p>\n<p>PANEL 2<\/p>\n<p>YOO . . . YOO . . . YOU JERKS!<\/p>\n<p>HYOO . . . HYOO . . .<\/p>\n<p>PANEL 3<\/p>\n<p>. . . HUMANS ARE MEAN . . .<\/p>\n<p>DORIS: I CAN&#8217;T BELIEVE MY EYES?!!! AM I TRULY . . . ACTUALLY SEEING . . . ??<\/p>\n<p>WHAT THE . . . ?!!\u00a0 WHO ARE THESE RENEGADES?<\/p>\n<p>PANEL 4<\/p>\n<p>WHAT THE &#8211;?\u00a0 WHERE&#8217;D THEY COME FROM?!!<\/p>\n<p>IT&#8217;S THE DREADED INFAMOUS MONSTER LIBERATION ARMY!<\/p>\n<p>THE M.L.A.!<\/p>\n<p>BACK DOWN, YOU BLOODTHIRSTY GOVERNMENT LAP-DOGS!\u00a0 OR YOU&#8217;LL FACE THE WRATH OF THE M.L.A.!<\/p>\n<p>PANEL 5<\/p>\n<p>OPEN FIRE, BOYS!\u00a0 THIS OUGHTTA TEACH THOSE INBRED RIGHTWING MURDEROUS LACKEYS NOT TO BULLY ANY POOR INNOCENT MONSTER!<\/p>\n<p>ARMY: RETREAT!\u00a0 FALL BACK!<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/?p=417\">PAGE FIVE<\/a><\/p>\n<p>PANEL 1<\/p>\n<p>IN ALL THE CONFUSION, THE MONSTER IS GETTING AWAY<\/p>\n<p>PANEL 2<\/p>\n<p>HYOO . . . HYOO . . . HUMANS ARE MEAN<\/p>\n<p>QUICK!\u00a0 IN HERE!\u00a0 WHERE&#8217;S HE GOING?\u00a0 I LOST SIGHT OF HIM, BUT . . . WAIT, THERE HE IS!\u00a0 BUT WHO ARE THOSE MEN WEARING FEZZES?<\/p>\n<p>PANEL 3<\/p>\n<p>AT LAST!\u00a0 SPAMPOO HAS ARRIVED.\u00a0 NOW ALL SEVEN OF US MAY PROCEED!\u00a0 HE&#8217;S HIDING IN THAT CAVE AT THE BASE OF THE VOLCANO!<\/p>\n<p>I SWEAR IT LOOKS LIKE I SAW\u00a0 . . . AND I COULD HAVE SWORN IN THAT CAVE WAS\u00a0 . . .\u00a0 ANOTHER\/AT LEAST TWO GIANT MONSTERS!<\/p>\n<p>PANEL 4<\/p>\n<p>SUDDENLY . . .<\/p>\n<p>THE VOLCANO IS ERUPTING!<\/p>\n<p>RUN!\u00a0 RUN FOR YOUR LIVES!<\/p>\n<p>SPLOOH!<br \/>\nZWEE!<br \/>\nRUMBLERUMBLERUMBLE<\/p>\n<p>PANEL 5<\/p>\n<p>TEE HEE HEE!<\/p>\n<p>IT&#8217;S THAT GIGGLING SCIENTIST I SAW HIDING UNDER THE PILE OF CLOTHES AT THE CARNIVAL!\u00a0 HOW DOES HE FIT INTO ALL THIS?<\/p>\n<p>PANEL 6<\/p>\n<p>WAIT!\u00a0 PLEASE.<\/p>\n<p>AGENT SLEET, FBI G DIV.: THAT&#8217;S ENOUGH.\u00a0 YOU&#8217;RE COMING WITH ME, MA&#8217;AM.\u00a0 AND I&#8217;LL BE TAKING THAT CAMERA.<\/p>\n<p>WHY DO I GET THE FEELING THIS IS JUST THE BEGINNING?<\/p>\n<p><em><strong>(You can tell I was really intent about this final panel, because here I&#8217;ve written it out for a THIRD TIME!):<\/strong><\/em><\/p>\n<p>WHAT . . . IS GOING ON?<\/p>\n<p>WHO . . . ARE THE MEN IN THE FEZZES?<\/p>\n<p>DORIS RECOGNIZED?<\/p>\n<p>WHO . . . IS THE MAD SCIENTIST WITH THE REMOTE CONTROL?<\/p>\n<p>HOW . . . MANY MONSTERS FLEW OFF IN THE UFO?<\/p>\n<p>WHERE . . . DID THEY GO?<\/p>\n<p>WHY . . . ARE THE FBI TRYING TO COVER UP THE SIGHTING?<\/p>\n<p>WHAT . . . IS THE MOTIVE OF THE MYSTERIOUS TEAM KNOWN AS THE MLA?<\/p>\n<p>WHY . . . DOES . . . THE MONSTER HAVE THREE NAMES, OR ARE THERE THREE OR MORE MONSTERS?<\/p>\n<p><em><strong>(There it is: I was trying to really spell out, &#8220;Hi, readers, there are more than one monster. Even though I only SHOWED one.\u00a0 Get it? Get it?&#8221;\u00a0 And of course, you will recall that the original idea for <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/413\">page 002<\/a>\u00a0(see the <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/1246\">page 002 &#8211; Commentary<\/a>) cover was to have two monsters, but I ran out of room!)<\/strong><\/em><\/p>\n<p>HOW . . . DID THE ARMY KNOW A MONSTER WOULD BE THERE?<\/p>\n<p>WHAT . . . IS THE GOVERNMENT INTERESTED IN ALL THIS?<\/p>\n<p>WHY . . . IS THE ARMY ATTACKING THE MONSTER?<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>Panel 4 ANIMATED!<\/strong>\u00a0<strong><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/2589\">MLA and KARATE GUY<\/a><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/416\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1498 size-full\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/09\/Doris-web-published2.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/\/?p=406\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1593\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/09\/Doris-web-about3.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/408\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2799\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/10\/Doris-web-how.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/754\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2797\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/10\/Doris-web-chapter.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/767\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2798\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/10\/Doris-web-find.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/765\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2796\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2018\/10\/Doris-web-video2.jpg?resize=79%2C91&#038;ssl=1\" alt=\"\" width=\"79\" height=\"91\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here is my original script for this five-page story. I&#8217;ll interpose my commentary on the script with parenthetical italics. 10\/2\/02 (Notice my excitement to create this story was such that I had begun scripting a couple sequences the same day I started and finished the plot &#8211; 10\/2\/02. 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I&#8217;ll interpose my commentary on the script with parenthetical italics. 10\/2\/02 (Notice my excitement to create this story was such that I had begun scripting a couple sequences the same day I started and finished the plot &#8211; 10\/2\/02. 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