{"id":12737,"date":"2021-09-25T19:20:23","date_gmt":"2021-09-26T01:20:23","guid":{"rendered":"https:\/\/chriswisniaarts.com\/blog\/?p=12737"},"modified":"2022-08-06T16:12:53","modified_gmt":"2022-08-06T22:12:53","slug":"brush-with-peril-page-015-the-art","status":"publish","type":"post","link":"https:\/\/chriswisniaarts.com\/blog\/archives\/12737","title":{"rendered":"Brush with Peril, page 015 \u2013 The Art"},"content":{"rendered":"

\"\"<\/p>\n

PAGE FIFTEEN:<\/strong><\/p>\n

Panel One:<\/strong>\u00a0 Piet Mondrian, Broadway Boogie Woogie<\/em><\/a> (1942-43), Museum of Modern Art<\/a>, New York City, and<\/p>\n

Giorgio Morandi<\/a>, Still Life<\/em><\/a> (1953), Phillips Collection<\/a>, Washington, D.C., and<\/p>\n

Piet Mondrian, Composition No IV<\/em><\/a> (1914), Kunstmuseum Den Haag<\/a>, The Hague.<\/p>\n

Panel Two:<\/strong>\u00a0 Theo van Doesburg, Composition IX, Opus 18 – Abstract Version of Card Players<\/em><\/a> (1917), Kunstmuseum Den Haag<\/a>, The Hague, and<\/p>\n

 <\/p>\n

Panel Three:<\/strong>\u00a0 Giorgio Morandi<\/a>, Still Life<\/em><\/a> (1960), Tate<\/a>, London, and<\/p>\n

Lucian Freud<\/a>, Portrait of Frank Auerbach<\/em><\/a> (1975-76), private collection.<\/p>\n

Panel Four:<\/strong>\u00a0 Lucian Freud<\/a>, Self-Portrait With A Black Eye<\/em><\/a> (1978), private collection.<\/p>\n

\"\"Chris with Piet Mondrian, Broadway Boogie Woogie<\/em> (1942-43), Museum of Modern Art<\/a>, New York City<\/p>\n

\"\"Above, a still from the Italian film, La Notte<\/em> (1961), directed by Michelangelo Antonioni: Marcello Mastroianni with Giorgio Morandi<\/a>‘s Still Life<\/em><\/a> (1960), Tate<\/a>, London.<\/p>\n

\"\"<\/a>
\n\"\"<\/a>\"\"<\/a>
\nBACK TO MASTER LIST<\/b><\/a>
\nSmall List of Great Artists<\/a>
\nSmall List of Museums<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

PAGE FIFTEEN: Panel One:\u00a0 Piet Mondrian, Broadway Boogie Woogie (1942-43), Museum of Modern Art, New York City, and Giorgio Morandi, Still Life (1953), Phillips Collection, Washington, D.C., and Piet Mondrian, Composition No IV (1914), Kunstmuseum Den Haag, The Hague. Panel Two:\u00a0 Theo van Doesburg, Composition IX, Opus 18 – Abstract Version of Card Players (1917), […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[85],"tags":[],"class_list":["post-12737","post","type-post","status-publish","format-standard","hentry","category-brush-with-peril"],"aioseo_notices":[],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"woocommerce_thumbnail":false,"woocommerce_single":false,"woocommerce_gallery_thumbnail":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/chriswisniaarts.com\/blog\/archives\/author\/admin"},"uagb_comment_info":1,"uagb_excerpt":"PAGE FIFTEEN: Panel One:\u00a0 Piet Mondrian, Broadway Boogie Woogie (1942-43), Museum of Modern Art, New York City, and Giorgio Morandi, Still Life (1953), Phillips Collection, Washington, D.C., and Piet Mondrian, Composition No IV (1914), Kunstmuseum Den Haag, The Hague. Panel Two:\u00a0 Theo van Doesburg, Composition IX, Opus 18 – Abstract Version of Card Players (1917),…","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/comments?post=12737"}],"version-history":[{"count":5,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12737\/revisions"}],"predecessor-version":[{"id":14438,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12737\/revisions\/14438"}],"wp:attachment":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/media?parent=12737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/categories?post=12737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/tags?post=12737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}