{"id":12737,"date":"2021-09-25T19:20:23","date_gmt":"2021-09-26T01:20:23","guid":{"rendered":"https:\/\/chriswisniaarts.com\/blog\/?p=12737"},"modified":"2022-08-06T16:12:53","modified_gmt":"2022-08-06T22:12:53","slug":"brush-with-peril-page-015-the-art","status":"publish","type":"post","link":"https:\/\/chriswisniaarts.com\/blog\/archives\/12737","title":{"rendered":"Brush with Peril, page 015 \u2013 The Art"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12767 aligncenter\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?resize=668%2C1050&#038;ssl=1\" alt=\"\" width=\"668\" height=\"1050\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?w=668&amp;ssl=1 668w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?resize=651%2C1024&amp;ssl=1 651w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?resize=300%2C472&amp;ssl=1 300w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-15-Art.jpg?resize=600%2C943&amp;ssl=1 600w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><\/p>\n<p><strong>PAGE FIFTEEN:<\/strong><\/p>\n<p><strong>Panel One:<\/strong>\u00a0 Piet Mondrian, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Broadway Boogie Woogie<\/em><\/a> (1942-43), <a href=\"http:\/\/www.moma.org\/\">Museum of Modern Art<\/a>, New York City, and<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12773\">Giorgio Morandi<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Still Life<\/em><\/a> (1953), <a href=\"http:\/\/www.phillipscollection.org\/\">Phillips Collection<\/a>, Washington, D.C., and<\/p>\n<p>Piet Mondrian, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Composition No IV<\/em><\/a> (1914), <a href=\"https:\/\/www.kunstmuseum.nl\/en\">Kunstmuseum Den Haag<\/a>, The Hague.<\/p>\n<p><strong>Panel Two:<\/strong>\u00a0 Theo van Doesburg, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Composition IX, Opus 18 &#8211; Abstract Version of Card Players<\/em><\/a> (1917), <a href=\"https:\/\/www.kunstmuseum.nl\/en\">Kunstmuseum Den Haag<\/a>, The Hague, and<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Panel Three:<\/strong>\u00a0 <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12773\">Giorgio Morandi<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Still Life<\/em><\/a> (1960), <a href=\"http:\/\/www.tate.org.uk\/\">Tate<\/a>, London, and<\/p>\n<p><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12417\">Lucian Freud<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Portrait of Frank Auerbach<\/em><\/a> (1975-76), private collection.<\/p>\n<p><strong>Panel Four:<\/strong>\u00a0 <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12417\">Lucian Freud<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Self-Portrait With A Black Eye<\/em><\/a> (1978), private collection.<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13969 aligncenter\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=777%2C800&#038;ssl=1\" alt=\"\" width=\"777\" height=\"800\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?w=777&amp;ssl=1 777w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=291%2C300&amp;ssl=1 291w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=768%2C791&amp;ssl=1 768w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=300%2C309&amp;ssl=1 300w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=600%2C618&amp;ssl=1 600w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=58%2C60&amp;ssl=1 58w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2022\/06\/Chris-with-Piet-Mondrian-Broadway-Boogie-Woogie-1942-43-Museum-of-Modern-Art-New-York-City.jpg?resize=87%2C90&amp;ssl=1 87w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/>Chris with Piet Mondrian, <em>Broadway Boogie Woogie<\/em> (1942-43), <a href=\"http:\/\/www.moma.org\/\">Museum of Modern Art<\/a>, New York City<\/p>\n<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14277 aligncenter\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/La-Notte-Morandi-painting.jpg?resize=1024%2C525&#038;ssl=1\" alt=\"\" width=\"1024\" height=\"525\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/La-Notte-Morandi-painting.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/La-Notte-Morandi-painting.jpg?resize=300%2C154&amp;ssl=1 300w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/La-Notte-Morandi-painting.jpg?resize=768%2C394&amp;ssl=1 768w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/La-Notte-Morandi-painting.jpg?resize=600%2C308&amp;ssl=1 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/>Above, a still from the Italian film, <em>La Notte<\/em> (1961), directed by Michelangelo Antonioni: Marcello Mastroianni with <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12773\">Giorgio Morandi<\/a>&#8216;s <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12737\"><em>Still Life<\/em><\/a> (1960), <a href=\"http:\/\/www.tate.org.uk\/\">Tate<\/a>, London.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12736\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12009\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?resize=110%2C110&amp;ssl=1\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?w=110&amp;ssl=1 110w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?resize=100%2C100&amp;ssl=1 100w\" alt=\"\" width=\"110\" height=\"110\" \/><\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12021\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12004\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?resize=110%2C110&amp;ssl=1\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?w=110&amp;ssl=1 110w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?resize=100%2C100&amp;ssl=1 100w\" alt=\"\" width=\"110\" height=\"110\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12020\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12012\" src=\"https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?resize=110%2C110&amp;ssl=1\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" srcset=\"https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?w=110&amp;ssl=1 110w, https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?resize=100%2C100&amp;ssl=1 100w\" alt=\"\" width=\"110\" height=\"110\" \/><\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/11964\"><b>BACK TO MASTER LIST<\/b><\/a><br \/>\n<strong><em><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12214\">Small List of Great Artists<\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12359\">Small List of Museums<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAGE FIFTEEN: Panel One:\u00a0 Piet Mondrian, Broadway Boogie Woogie (1942-43), Museum of Modern Art, New York City, and Giorgio Morandi, Still Life (1953), Phillips Collection, Washington, D.C., and Piet Mondrian, Composition No IV (1914), Kunstmuseum Den Haag, The Hague. Panel Two:\u00a0 Theo van Doesburg, Composition IX, Opus 18 &#8211; Abstract Version of Card Players (1917), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[85],"tags":[],"class_list":["post-12737","post","type-post","status-publish","format-standard","hentry","category-brush-with-peril"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"PAGE FIFTEEN: Panel One: Piet Mondrian, Broadway Boogie Woogie (1942-43), Museum of Modern Art, New York City, and Giorgio Morandi, Still Life (1953), Phillips Collection, Washington, D.C., and Piet Mondrian, Composition No IV (1914), Kunstmuseum Den Haag, The Hague. 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