{"id":12591,"date":"2021-09-23T14:39:38","date_gmt":"2021-09-23T20:39:38","guid":{"rendered":"https:\/\/chriswisniaarts.com\/blog\/?p=12591"},"modified":"2021-11-05T11:52:58","modified_gmt":"2021-11-05T17:52:58","slug":"brush-with-peril-page-013-drafts","status":"publish","type":"post","link":"https:\/\/chriswisniaarts.com\/blog\/archives\/12591","title":{"rendered":"Brush with Peril, page 013 – Drafts"},"content":{"rendered":"

One thing I consistently have trouble with, once I’ve drawn the appropriated images, is remembering to put masks on them afterwards.\u00a0 In the beginning, I may have imagined having my original art without masks, or maybe being afraid I could ruin the picture with a mask, and deciding to do a separate layer for the masks, that I could adjust the size or coverage. At some point I digitally drew some of the masks onto the characters in Photoshop. For some reason, this page, I decided to draw masks by hand, cut and paste them in Photoshop, and as you can imagine, mis-judge the exact size and angle when I did cut and paste them, so it was a weird choice to try that!<\/p>\n

Clearly I planned to re-use the carriers image from the previous page, because he shouts “Carriers” in Panel 2, and I left a hole for it to be dropped. I believe I needed the dialogue there for panel one, but after drawing it, realized I hadn’t designated a spot, so I drew it in Panel 3’s area in order to cut and paste it into Panel 1, and move it around as needed for the best placement.<\/p>\n

Last panel, I once again just drew a picture of Bacon’s popes without referencing an actual painting, although I\u00a0kind of<\/em> used a mirror image of the actual painting I did<\/em> reference.<\/p>\n

\"\"<\/p>\n

Below is the first draft of the cleaned and edited page, including the moved text and (re-)insertion of the carriers image. Notice I later flipped the final two panels, so that I coud alter the final image to look more like a close-up of Francis Bacon<\/a>, Study for Portrait II<\/em> <\/a>(1953), private collection.<\/p>\n

\"\"<\/p>\n

In 2015, my best friend, Gerry Chow<\/a>, colored the first chapter and a few pages of chapter two. Here’s what he did with this page:<\/p>\n

\"\" \"\"<\/p>\n

\"\"<\/a>
\n\"\"<\/a>\"\"<\/a>
\nBACK TO MASTER LIST<\/b><\/a>
\nSmall List of Great Artists<\/a>
\nSmall List of Museums<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

One thing I consistently have trouble with, once I’ve drawn the appropriated images, is remembering to put masks on them afterwards.\u00a0 In the beginning, I may have imagined having my original art without masks, or maybe being afraid I could ruin the picture with a mask, and deciding to do a separate layer for the 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the beginning, I may have imagined having my original art without masks, or maybe being afraid I could ruin the picture with a mask, and deciding to do a separate layer for 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