{"id":12557,"date":"2021-09-23T12:44:59","date_gmt":"2021-09-23T18:44:59","guid":{"rendered":"https:\/\/chriswisniaarts.com\/blog\/?p=12557"},"modified":"2021-09-23T22:09:21","modified_gmt":"2021-09-24T04:09:21","slug":"brush-with-peril-page-013-the-art","status":"publish","type":"post","link":"https:\/\/chriswisniaarts.com\/blog\/archives\/12557","title":{"rendered":"Brush with Peril, page 013 &#8211; The Art"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12664\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-13-Art.jpg?resize=663%2C1025&#038;ssl=1\" alt=\"\" width=\"663\" height=\"1025\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-13-Art.jpg?w=663&amp;ssl=1 663w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-13-Art.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-13-Art.jpg?resize=300%2C464&amp;ssl=1 300w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush_with_Peril-1-13-Art.jpg?resize=600%2C928&amp;ssl=1 600w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/p>\n<p><strong>PAGE THIRTEEEN:<\/strong><\/p>\n<p><strong>Panel One:<\/strong>\u00a0 <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12216\">Francis Bacon<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12557\"><em>Study After V\u00e9l\u00e1zquez\u2019s Portrait of Pope Innocent X<\/em><\/a> (1953) <a href=\"https:\/\/www.desmoinesartcenter.org\/\">Des Moines Art Center<\/a>, Iowa.<\/p>\n<p><strong>Panel Two:<\/strong>\u00a0 <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12216\">Francis Bacon<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12557\"><em>Study for Portrait VII<\/em><\/a> (1953) <a href=\"http:\/\/www.moma.org\/\">Museum of Modern Art<\/a>, New York City.<\/p>\n<p><strong>Panel Three:<\/strong>\u00a0 Georges Rouault, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12557\"><em>Porter from R\u00e9incarnations du P\u00e8re Ubu<\/em><\/a> (1932), etching, <a href=\"http:\/\/www.moma.org\/\">Museum of Modern Art<\/a>, New York City, and <a href=\"https:\/\/www.amherst.edu\/museums\/mead\">Mead Art Museum, Amherst College<\/a>, and <a href=\"https:\/\/www.kemperartmuseum.wustl.edu\/\">Kemper Art Museum, Washington University<\/a>, St. Louis, and <a href=\"https:\/\/www.mfah.org\/\">The Museum of Fine Arts, Houston<\/a>.<\/p>\n<p><strong>Panel Four:<\/strong>\u00a0 <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12413\">Robert Arneson<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12557\"><em>Pic<\/em> <\/a>(1980), Lithograph, <a href=\"https:\/\/www.brown.edu\/campus-life\/arts\/bell-gallery\/\">David Winton Bell Gallery, Brown University<\/a>, Providence.<\/p>\n<p><strong>Panel Six:<\/strong>\u00a0 Detail from <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12216\">Francis Bacon<\/a>, <a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12557\"><em>Study for Portrait II<\/em> <\/a>(1953), private collection.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12556\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12009\" style=\"font-style: inherit; font-weight: inherit;\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?resize=110%2C110&#038;ssl=1\" alt=\"\" width=\"110\" height=\"110\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?w=110&amp;ssl=1 110w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-published.jpg?resize=100%2C100&amp;ssl=1 100w\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" \/><\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12021\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12004\" src=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?resize=110%2C110&amp;ssl=1\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" srcset=\"https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?w=110&amp;ssl=1 110w, https:\/\/i0.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-how.jpg?resize=100%2C100&amp;ssl=1 100w\" alt=\"\" width=\"110\" height=\"110\" \/><\/a><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12020\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12012\" src=\"https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?resize=110%2C110&amp;ssl=1\" sizes=\"auto, (max-width: 110px) 100vw, 110px\" srcset=\"https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?w=110&amp;ssl=1 110w, https:\/\/i1.wp.com\/chriswisniaarts.com\/blog\/wp-content\/uploads\/2021\/09\/Brush-web-about.jpg?resize=100%2C100&amp;ssl=1 100w\" alt=\"\" width=\"110\" height=\"110\" \/><\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/11964\"><b>BACK TO MASTER LIST<\/b><\/a><br \/>\n<strong><em><a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12214\">Small List of Great Artists<\/a><br \/>\n<a href=\"https:\/\/chriswisniaarts.com\/blog\/archives\/12359\">Small List of Museums<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAGE THIRTEEEN: Panel One:\u00a0 Francis Bacon, Study After V\u00e9l\u00e1zquez\u2019s Portrait of Pope Innocent X (1953) Des Moines Art Center, Iowa. Panel Two:\u00a0 Francis Bacon, Study for Portrait VII (1953) Museum of Modern Art, New York City. Panel Three:\u00a0 Georges Rouault, Porter from R\u00e9incarnations du P\u00e8re Ubu (1932), etching, Museum of Modern Art, New York City, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[85],"tags":[],"class_list":["post-12557","post","type-post","status-publish","format-standard","hentry","category-brush-with-peril"],"aioseo_notices":[],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"woocommerce_thumbnail":false,"woocommerce_single":false,"woocommerce_gallery_thumbnail":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/chriswisniaarts.com\/blog\/archives\/author\/admin"},"uagb_comment_info":1,"uagb_excerpt":"PAGE THIRTEEEN: Panel One:\u00a0 Francis Bacon, Study After V\u00e9l\u00e1zquez\u2019s Portrait of Pope Innocent X (1953) Des Moines Art Center, Iowa. Panel Two:\u00a0 Francis Bacon, Study for Portrait VII (1953) Museum of Modern Art, New York City. Panel Three:\u00a0 Georges Rouault, Porter from R\u00e9incarnations du P\u00e8re Ubu (1932), etching, Museum of Modern Art, New York City,&hellip;","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/comments?post=12557"}],"version-history":[{"count":5,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12557\/revisions"}],"predecessor-version":[{"id":12708,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/posts\/12557\/revisions\/12708"}],"wp:attachment":[{"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/media?parent=12557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/categories?post=12557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chriswisniaarts.com\/blog\/wp-json\/wp\/v2\/tags?post=12557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}